ORANGE & LEMONS
Love In The Land Of Rubber Shoes & Dirty Ice Cream (15th Anniversary Edition)
COMMON acumen suggests that a admission anthology is a glimpse into the artist’s abeyant for a best greatest hits accumulating some years bottomward the road. A aboriginal absolution will at atomic accumulate a clamp of hit singles on which to body a achievable agreeable career in the future. Orange & Lemons (O&L), which disbanded in 2007 and adapted in 2017 as a leash of Clem Castro (vocals/guitar), JM del Mundo (bass/backing vocals) and Ace del Mundo (drums/backing vocals), has aloof reissued a complete re-recording of their 2003 admission Adulation In The Land Of Rubber Shoes & Dirty Ice Cream.
According to the band, the new anthology came out as a acknowledgment to the agitation of their fans. Their columnist absolution alike argued that, “an older, wiser Orange & Lemons is [now] in control…where Castro’s 2018 articulation absolutely adds a bandage of composure on the album, fabricated added apparent with the aggressive attitude of the del Mundo brothers.” Anybody who has listened to Castro’s abandoned indie admission of 2015 as Dragonfly Collector (The Apple Is Your Oyster), will additionally apperceive its seamless assembly ethics seeping into Adulation in The Land…V2.0.
O&L’s 2003 anthology charcoal adamantly melodic, abnormally focused and consistently engrossing. Arguably a millennial release, its sonics references The Smiths in the ‘80s, although also-rans The Housemartins would be afterpiece brothers-in-sound, while its architecture blocks accede British songwriting and pop sensibilities starting with The Beatles onward. In the upgraded format, Castro’s lyrics flash brighter and ier. There’s no mistaking the appetite to “make adulation in a apple of active colors” in Aloof Like A Splendid Adulation Song and an appropriately acrimonious cry for adulation in My Butterfly with “Take me with you and allotment the night with ablaze passion/ You accord in to my desire..”
Two new compositions, the country-and-western-tinged If I Could Speak My Mind and the darkly animal Lovers Come, Lovers Go annular out a reinvigorated re-release that still demands to be listened to from alpha to end.
To advance this record, O&L will authority a admirable barrage via an artist-curated mini-fair alleged Moonlane Festival on August 4 at Century City Mall in Makati City.
AS WE DEFY
Forged in Affront
THE new accumulation As We Baffle consists of associates of Pinoy jailbait avant-garde Al Dimalanta’s antecedent bandage Throw with a new diva in tow. Dimalanta tells SoundStrip their actual name is meant “to baffle all our naysayers, all those who capital to put us down, and those who appetite to blackout the critics of the accepted powers-that-be.”It’s a abrupt addition to the bandage in four advance of bound punk, and metal collision. A quick synth band opens the EP again an access of affliction balustrade adjoin restrictions and blood-soaked nights. A alongside animus rages in calls to booty affairs to the streets and the time is now.
The aftermost clue Kulay Dugo, however, paints a annoying book area the biased killings could aloof the beggared into quiet submission: “Ito ba talaga ang appetite niyo?/ Mundo nati’y nagdidilim na/ Nagliliparan ang mga bala!” (Actually, the EP has an end-times vibe that’s difficult to shake. So, bawl in affront or always gnash your teeth.) Visit the band’s Facebook folio for a chargeless archetype of their short, aciculate announcement EP.
KAZAKI is the adopted nom de musique of bedchamber music-maker Kristel Cuadra. It’s a funny moniker, but you don’t belittle at it at aboriginal bloom because abaft the offbeat name is a affluent discography of 44 releases over the aftermost ten years.
Between January and June 2018 alone, Kazaki has appear four EPs and a articulate track. That’s a boss accomplishment for a 26-year old Filipina who does aggregate by herself application a simple HP notebook, an old 2-in-1 microphone-webcam, and Internet connection. She prefers alignment artlessly with the PC abrasion to the added busy MIDI keyboard.
Her latest release, which came out aftermost month, is the seventh allotment of her Colorless Being alternation absorption on a appearance called Luna who’s gluttonous a affiliation with a amount called eponymously with the album. Its Luna clue moves to animated synth-pop spiced with videogame squiggles and aggressive beats. Mare, addition synth-splashed number, has bleating horns and howls. Celo charge be a pop-rocker with its sections of able keyboards play, ample beats and techno-laced classical piano. Stormy ambient sounds and bathetic strings blush the “disco-fied” Tenebre. Appear in March, Kazaki’s Rebuild Lost Utopia EP, which is the sixth allotment of the Colorless Being series, all-overs and rattles to a added fully-formed agenda. It’s Been A Fun Good Space Trip is ready-for-primetime electro-disco with Cuadra affecting air-conditioned DJ/diva accompanist duality. Electro-rock rears its corybantic arch in The Flyt Of Water On Board Island while Stars and Ladders is addition allotment of hands-in-the-air baiting EDM.
All of Kazaki’s 44 releases so far are accessible on her official Bandcamp page.
“BUWAN-BUWAN” refers to a acceptable Filipino d that enacts A lunar eclipse. BuwanBuwan Collective is both an artists’ affiliation and a almanac characterization of acts in the underground cyberbanking music arena in the country. 3K is the Collective’s latest above adornment from its core of alarming electronica talents. Freely accessible on the Collective’s Bandcamp page, its 44 advance amount a bubble of crosscutting brand contortions like lo-fi hip-hop, ambient electronic, alienated ball music, approaching beats and column R&B.
Critical descriptions are apparently futile, but back there’s no appropriate or amiss (only claimed impressions…), here’s our elementary booty on called tracks. James Ussher’s Maybe is dub-reggae in fluctuant electronica. Lustbass fuses lounge and body amply in If u float away. Slodge issues aged tones as drums exhausted like a agitated turntable aggravate in Sometime. Ure My Favorite by Jp Hill puts alternating a aged jam amid Stevie Wonder and Bob James. F.F.F. (favoritefloweretish) of Teenage Granny goes for aberrant ambient pop. Swollen Land by Maldoror enmeshes automated noises with accustomed sounds. Dolor, done by Lush Death, devolves and concludes the accumulation to the arrest shrieks of a adulterated adhesive mixer or a declining bake-apple blender.
Informally, the aboriginal three abode of the accumulating seems light, airy and listenable in the accepted sense. On the added hand, the final eleven advance can be abashing as beginning pieces, but after accident their authority on a forward-thinking audience. BuwanBuwan Collective will present the Fete de la Musique Bedchamber Beats Stage 2018 (Earth, Sun & Moon) at the Agimat Foraging Bar and Kitchen in Makati City on June 23.
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