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“It’s added honest that way,” says Nile Rodgers of his about-to-drop anthology “It’s About Time,” beneath the banderole Nile Rodgers & Chic. It’s his aboriginal almanac in 16 years and, while driving through London in a cab on his 66th birthday, the recently-anointed Rock and Roll Hall of Fame producer, songwriter and assistant to David Bowie (“Let’s Dance”), Daft Punk (“Random Access Memories”), Madonna (“Like a Virgin”), Avicii (“Lay Me Down”), The B-52’s (“Cosmic Thing”), Diana Ross (“Diana”) and abounding more, is reminiscing. “Bernard and I were calm afore we had the Chic name, and it will consistently be he and me,” says Rodgers of his writing-production partner, the backward Bernard Edwards, with whom he formed The Big Apple Band in 1970, alone to about-face to Chic in 1977. “But, I’m absolutely council this address at this time, you know?”

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Time is additionally allotment of Rodgers’ added big news, for this multi-hyphenate has, afterwards 41 years with the Warners ancestors in the U.S. (Atlantic, afresh Warner Bros.) and the U.K. (Parlophone) afflicted labels, in March of this year to Universal and its EMI/Virgin imprint. Forth with signing his Chic to Universal for “It’s About Time” and its aftereffect – May 2019’s “Executive Realness” – Rodgers has an added appellation address of addition Universal endemic property: he’s been appointed to the distinctively created role of Chief Creative Advisor at London’s Abbey Road Studios. “London is my added home now – or my first, I don’t know, as we’ve been in three or four cities in a day at a abiding blow – so actuality here, signing here, all fabricated sense.”

If Rodgers’ signature Chic music (sleek, anesthetic disco) was actuality active with collaborators in the worlds of cyberbanking music, hip hop and nu-soul, newer aerial to bigger bazaar those sounds were necessary. “The one affair Nile Rodgers doesn’t charge is A&R – up the bass, adapt that song,” Chic’s administrator Merck Mercuriadis tells Variety. “We bare addition to best advertise what we do in the accepted marketplace, and we begin that in London and Universal.”

Signing with Universal in 2018 came bottomward to several factors, one of which was time, or timing, in that Rodgers and his administrator Mercuriadis acquainted that the music, beats and collaborators for “It’s About Time” – nu-house god Mura Masa, aerial adjustable diva Neo, asperous rappers Vic Mensa and Anderson.Paak, superstars Elton John and Lady Gaga – were au courant and accessible to be heard. “We aloof absolutely didn’t appetite to delay addition day,” says Rodgers.

The added agency in switching labels from Warners to Universal came bottomward to administration changes in both the U.S. and the U.K., at absolutely the time aback Chic’s anew congenital abuse was accessible to burst. “You accomplish relationships at a characterization — several beyond the apple — and aback those relationships go away, things ability get awe-inspiring or booty a while to get area they already were,” he adds.

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Rodgers had no plan or admiration at aboriginal to about-face labels or leave his longtime Warners home aback he started authoritative a new Chic anthology — his ninth with the Chic moniker aback the band’s eponymous admission of 1977 (tenth, if you accommodate their 1982 multi-artist soundtrack to “Soup for One”). He originally capital “It’s About Time,” to be a ‘thank you’ almanac to anybody who had anytime been allotment of his aesthetic life. “I capital a aing Chic album, afterwards all these years, to appearance how beholden I was to the bodies who helped me get to area I accept gotten,” says Rodgers, the day afterwards spending his altogether night autograph a symphonic adjustment of Bowie music, filming a video for Chic’s new “Do You Wanna Party” with LunchMoney Lewis, afresh briefly dining at Cipriani. “I’m not absolutely a altogether guy,” he laughs. “My mother had me at such a adolescent age that birthdays were added aloof like blind out.”

The aboriginal distinct from that advised ‘thank you’ album, 2015’s “I’ll Be There,” featured tapes of accepted absent Chic sessions that Rodgers begin in his archives. “Bernard and I had produced these tracks, some of which we used, say on ‘Got To Love Somebody’ by Sister Sledge, or ‘Everybody Dance.’ Some were never acclimated before. On top of that I was able to cull all of these choir that Chic acclimated by manipulating sounds. It was seamless too, as it seemed as if Luther Vandross, Fonzi Thornton and the girls (e.g. Alfa Anderson) were with us in the studio.”

“I’ll Be There,” hit No. 1 on Billboard’s Hot Ball Club song blueprint and became Chic’s aboriginal number-one ball distinct in over 22 years aback “Chic Mystique” in 1992. “Mainly, this was a ‘thank you’ to Bernard for allowance me alpha my career,” says Rodgers. From that point forward, forth with added bare Chic tracks, Rodgers has created a song with the articulation of David Bowie (“it was appealing great”) and a accolade to Prince advantaged “Prince Said It.”

Regarding Bowie and the pair’s 1983 platinum-plated opus, “Let’s Dance,” Rodgers is afraid at how – aback they recorded the anthology in Switzerland –  “we did it all in two days.” Says Rodgers: “I didn’t apperceive that, or apprehend that. Yet, as the ancestors and I accept been alive on the masters, and we dug up all of the aboriginal addendum and tapes [for Rhino/Parlophone’s accessible “Loving the Alien” box set in October], you could apprehend he and I bedlam and badinage in the studio. Holy cow. How could you not be cornball abundant to not appetite to accomplish a song about that?”

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As for Prince and Rodgers, the ambassador claims that they had a continued and altered relationship. “I don’t allocution about this much. We were in aing studios in Los Angeles. at the aforementioned time, he was accomplishing his album, I was alive on $.25 of three soundtracks at once.  There would be these mini earthquakes, and anybody would breach for tremors, Prince and I, included, area we’d appear alfresco and talk. There got to be so abounding of them, we aloof consistently begin anniversary added alfresco – talking, laughing.” Rodgers and Prince awash on alarm and applesauce tracks, be-bop in particular, as Nile practices Charlie Parker, Miles Davis and Roland Prince licks afore he goes on any stage. “My guitar appearance is based on McCoy Tyner, my appropriate duke emulates his piano lines, which is why you apprehend a lot of inversions and fourths in my playing” With all that applesauce as inspiration, “Prince Said It,” was born, and accessible to roar, as allotment of Rodger’s Chic-based ‘thank you’ album. That is until David Bowie and Prince died, aural months of anniversary other, in 2016. Like the blow of the world, Rodgers was addled by the accident of these two alien agreeable giants. As a longtime acquaintance and collaborator, he was devastated.

“Suddenly afterwards Bowie and Prince died, aggregate acquainted wrong. It aloof acquainted wrong. I can’t acquaint you how abandoned I felt, and how it seemed as if the cosmos was speaking to me, adage “NILE, YOU CAN’T DO THIS ‘THANK YOU’ ALBUM.”

With that, “It’s About Time,” became all about a alpha alpha and new ancestry with altered faces and articulation such as Neo (“the alone two afraid artists I anytime chased afterwards to almanac was Peter Gabriel and her”) and Anderson.Paak, as collaborators, and Rodgers recording a excess of their choir in London’s Abbey Road Studio.

“We chose the U.K. as our abject to amend Nile two years ago,” says administrator Mercuriadis, who has – in his accomplished – represented Iron Maiden and Elton John. First, Chic was the acknowledgment of 2017’s summer Glastonbury Festival area Rodgers & Co, played afore 200,000 people. During summer 2018, Chic accent 30 shows to bisected a actor bodies in the UK. “We were on every television show,” Mercuriadis stated. “We’re able to affix the dots amid new music and a smaller, but denser and added pro-active ball music population. Aback you accede that we aloof alone new music at BBC 1 – and Nile is the oldest artisan to accept new music on that base – as a civic government run radio station, we’re hitting 50 actor bodies with every play. To do that in the U.S., we would accept to be on 200 radio stations, it’s so burst up by networks and brand there.”

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Mercuriadis continues: “We had the coolest artists on the planet authoritative annal with the hottest producer-composer ever…. all at Abbey Road. We were bringing aback the focus of who Nile was and is to songwriting and bearing while authoritative the new record.” As it went along, “It’s About Time” was set to emulate, afresh amend for avant-garde ears, the accord that Rodgers and Edwards had with allegorical accuse such as Diana Ross and Sister Sledge aback in the mad, bad canicule of disco.

“The stars were accumbent in my mind,” says Rodgers, who anticipation of Abbey Road and its flat belly as an abstract “machine” area he could “manipulate voices” for his purposes. “I could put them on the moon. I could put them on the beach. I could get them to participate in my new music whether they appetite to or not…. That was my account on actuality sampled throughout my career afterwards accepting abundant say.”

When Rodgers was accessible for the “It’s About Time” anthology to appear out, and to move on its business and releases affairs aftermost autumn was appropriate about the aforementioned time that Warner Music Group was activity through its own changes. Cameron Strang, administrator and CEO of Warner Bros. Records, exited the aggregation in October 2017, with the new Warner Music Group CEO of Recorded Music, Max Lousada, advancing in to baby-sit WMG’s all-around recorded operations, including Atlantic, Warner Bros., Parlophone, Warner Music Nashville, and its archive accoutrements Rhino and Warner Classics.

“Our accord afflicted as the anthology was changing,” says Rodgers, who calls the transformations at Parlophone, Warners’ U.K. operation and its sister characterization in the U.S., “traumas, really.” It slowed bottomward the advance for Chic and the bill of its music and collaborators. “Max [Lousada] is a baby acquaintance – we accept in him and that he will actualize a abundant cosmos with some above moves that he’s already made,” says Mercuriadis. “But he was at the alpha of that race, aback we bare to be already up and running,”

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Adds Rodgers: “We aloof had to alpha fresh, we capital to alpha fresh, as aggregate had afflicted afterwards Bowie and Prince died, and the ‘thank you’ almanac with it. And Universal was there.”

Rodgers and Mercuriadis respectfully had a altercation with Warners and absitively to booty their new anthology bottomward the artery to Universal’s Virgin-EMI arm in March 2018. They had absolute acceptance in Ted Cockle, the admiral of Virgin-EMI, as he was “the man abaft Amy Winehouse’s “Back to Black,” the new Florence the Machine anthology and a being who has a 18-carat absorption in ball music activity aback to the Flat 54 disco era,” adds Mercuriadis.

“Look, I’m with Warners for the blow of my life,” says Rodgers with a balmy laugh. “We’re family. They accept the Chic catalog, as reflected in the accessible Rhino box set, ‘The Chic Organization,’ area you’re activity to be able to apprehend aggregate on abundant vinyl and aural aloof like we played it, live, in the aboriginal place.  We went aback and acclimated the aforementioned VSO settings. I was there. I should apperceive right?”

Rodgers adds that with Bowie’s archive actual appear through Parlophone/Rhino, and productions for Duran Duran and Madonna through Warners, the affiliation to his old characterization is appropriately unavoidable. “But the approaching is absolutely Universal,” he says, abnormally aback one considers the added added benefit of Abbey Road befuddled into the mix.

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“After we signed, and as we were talking about all the business for ‘It’s About Time,’ we begin out about the abundance of opportunities that the characterization offered, “ says Rodgers. “They knew that we were recording all these artists at Abbey Road (including Debbie Harry with HAIM, and Jorja Smith for “Executive Realness”), and offered me the befalling to conceivably aces my role. I chose the advising role that I have. I’m not aggravating to booty over Abbey Road. I’m aloof attractive for a new home.”

Nile Rodgers is acquisitive to acquisition a new foundation on several fronts, not aloof a flat area he can almanac and a characterization he can alarm home. As Rodgers explains: “I bethink years ago walking into a almanac abundance aback there was still almanac stores, and hip hop and cyberbanking music was all you could find. There was no R&B on the sales floor. And I wondered, ‘where would Chic go?’ We would accept no section. Afresh again, we didn’t complete like acceptable R&B in the aboriginal place, so maybe that was just. Well, afterwards accepting fabricated annal for years that didn’t accept the Chic name on it — which is why I acclimated Nile Rodgers & Chic for ‘It’s About Time,’ because it is added authentic —  I am accompany added sounds like hip hop and cyberbanking music into the alignment aloof as what happens aback added artists sample me. They accompany me into their world. I accompany them into my world. I’m aloof accomplishing what my affection tells me.”

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