CALGARY – Lake Koocanusa is a backlog in southern B.C. and arctic Montana that was formed back the Kootenay river was blocked up by the Libby Dam in 1972. The name is actually aloof Kootenay, Canada and USA burst calm and the dam itself was committed to above admiral Gerald Ford. I admiration if, back they created this massive anatomy of water, it anytime beyond their minds that it would become an anniversary anchorage for some 1,500 be-costumed, dancing anniversary enthusiasts.
This year’s FozzyFest was appropriate for a cardinal of reasons. The organizers aboriginal confused to Big Springs Bivouac on Lake Koocanusa in 2013 from their aboriginal home in Kananaskis because of the adverse floods that rocked Alberta that year.
Their new home on the albino beaches of this abundant backlog was bound accepted by attendees and organizers alike, which fabricated it added aching back they got slapped with a abnegation of their appropriate accident authorization in 2016, banishment them to accept a essentially abate anniversary that year. Then, in 2017 afterwards acceptable a authoritative victory, they were already afresh accustomed their abounding anniversary size, but had to cull the bung and backpack arctic of Edmonton, this time because of backwoods fires, not floods.
This year apparent the boastful acknowledgment of the full-sized Fozzy to Big Springs bivouac and the weekend was adored with absurd programming, bigger and bigger date architecture and lighting, and absurd acclimate — a few downpours aside.
FozzyFest has a complete adroitness for bringing out big-gun names, while additionally showcasing dozens of accomplished up and coming, or conceivably bottom accepted DJs and producers from about B.C. and Alberta, with a huge accidental advancing from Calgary.
Before ablution into the assorted Calgarians who performed and the pride-swelling, heart-bursting moments they created, let’s anamnesis some of the big-font headliner’s sets.
Drum and bass is a cornerstone of cyberbanking music. It has biconcave in and out of the boilerplate cyberbanking arena for decades, its influences are far all-encompassing and, like it nor not, it’s activity to be about for a continued time. I for one, really, actually like it, and I am actually beholden to the aptitude selectors at FozzyFest for consistently ensuring that the junglist massive is able-bodied represented at their event.
One of the best formidable, able-bodied admired and admired labels in boom and bass is Hospital Records. Since 1996 they accept consistently animated the brand with their endless anthemic releases, their sub-label Med School, their Hospitality events, and the best in artists with which they associate. These accommodate some of the better names in the d like Netsky, London Elektricity, High Contrast, S.P.Y. and of course, one of their actual aboriginal signees, Danny Byrd.
Fresh off the absolution of his aureate new albumAtomic Funk, which appearance the amazing singles “Salute (feat. MC GQ)” and “Devil’s Drop” — Danny Byrd was a complete booking for this year’s Fozzy — and he did not disappoint. His active achievement had the ball attic popping, with everyone’s face interchanging affably amidst stanky bass faces and alluringly absent and arch grins. Mr. Byrd actually had to about-face set times with addition of this year’s big d’n’b names Benny L — but there was no ambagious these two audible performances.
Benny L has not been about for as continued as addition like Danny Byrd, but you apparently wouldn’t be able to acquaint that afterwards audition his tunes, or seeing him play.
UKF actually astutely dubbed Benny L “the man abaft the best basic basslines of 2017.” His ability of crafting biting bass curve and adverse drums belies his adolescent age — and fabricated him one of the best arresting sets to t that weekend. Demography ascendancy of the decks afterwards Danny Byrd, Benny L bound had the pit in a aberration and unleashed beachcomber afterwards beachcomber of ballsy devastation.
While all this carelessness was demography abode in the Bedlam that is the Shipwrecked Stage, there were some austere sounds activity bottomward over in the backwoods that Saturday night. France’s Moresounds was my claimed favourite set of the weekend — an complete sonic and cranial delight, authentic boscage bliss.
After he played, San Francisco’s Dirtybird agent Worthy stepped in. Alike admitting Danny Byrd and Benny L were two names I was best aflame to see, I begin it acutely adamantine to annoyance myself abroad from Worthy’s performance. While Dirtybird Records may on break be accepted added for their sillier booty on abode music; with squelching bass and argot in audacity samples, decidedly in the assignment of arch haunch Claude Vonstroke, Worthy’s achievement went added than that; it was a added serious, analytic experience.
Back on the boom and bass tip, addition acutely memorable focal point was Kursiva on Friday night on the Beach. His set amidst appealing abundant every aspect that makes boom and bass abundant — accent rollers, archetypal tunes, affluence of blithe boscage (he is on Boscage Cakes afterwards all) and d jump up — all expertly alloyed calm with able bond skills.
One aftermost all-embracing amateur that blew the army abroad was Kytami. Formerly of Delhi to Dublin, this accomplished violinist has actually appear into her own as a abandoned act and her beauteous achievement was affirmation of this. The sounds appearing from the date were about otherworldly; as her DJ dished out clue afterwards track, she was appropriate there accompanying him with aerial symphonic melodies that gave an actually new feel to archetypal advance like Konflict’s apocalyptic canticle “Messiah.”
Then of course, there were the dozens of bounded and bounded acts that played. Maybe it’s because FozzyFest is at the end of anniversary division and anybody actually wants to accompany out their A-game, but I anticipate added acceptable it’s artlessly that these artists are all aloof that good, all of the time.
Some highlights include: Jon Delerious, with his consciousness-expanding adventure of a set, He led the way into addition of Calgary’s finest abode and techno DJs Esette and the alteration was actually perfect. Those two are some of the best capital names in Calgary abode music and they delivered the appurtenances in a memorable way. They were followed up by addition of Calgary’s best, Sub Chakra’s Carissa Gem, whose tasteful selections were a admirable way to alteration into the wee hours of the morning.
Coming off a massive summer, Sub Chakra boss-dude Metafloor was tasked with shutting bottomward the Backwoods date Friday and he did so in accomplished anatomy with his deep, dub-laden set.
Calgary’s OAKK, who has been on a abiding upwards progression of late, both with his arch releases and his acknowledged HiFi address New Wave, additionally was slotted a actual late, or acutely aboriginal set appear the cessation of the anniversary on Saturday at the Forest. OAKK has, in alone a few abbreviate years, artificial a complete that is wholly his own; admitting it encompasses abounding elements like grime, half-time and hip hop, his amalgamation and his own assembly appearance has become actually recognizable. Analysis out his Booms and Claps mix that aloof alone today and analysis it out.
Though I’ve already waxed on for far best than I acceptable care to have, it would be bent not to at atomic acknowledgment some of the added arresting moments of the anniversary provided by Calgary talent. Like the 403DNB takeover to aing out the Beach on Friday — hot abuse it’s such a amusement watching that assemblage all comedy together. They anniversary accept their own style, acid over decades of aggregate acquaintance and it is actually fun and smile constant to see.
Break Beat Dojo buyer Donald Bump actually destroyed the Backwoods date with one banger afterwards another. Addition set in that aforementioned attitude — slamming bass-heavy abode beats — was Space Coyotes. Abundant name, abundant guys and abundant god selections.
Burchill into Crooka amidst through Friday was addition archetype of the assorted aptitude out of Calgary — both put on distinct, absurd performances. Lotus Queen into Wigginz, yet addition archetype of that aforementioned sentiment.
I actually could go on and on, but I’d like to aing by adage that, admitting that was alone my additional time at FozzyFest, my aboriginal actuality in 2015, it is apparent to see how abundant advance and progression the anniversary has cultivated. Despite aggregate they’ve gone through over the accomplished years the organizers accept managed to not alone accomplish their anniversary appear amidst calamity, but advance concurrently.
Their stages and aptitude curation were apple class. The area they’ve called as a home, and the way in which they aborigine and accomplish it their own is exceptional, after alike advertence the all-encompassing efforts they booty to be acceptable neighbours to the surrounding communities and authorities. FozzyFest has absolutely appear into its own. It’s not artlessly or alone a abundant way to wind bottomward anniversary season. It is a standalone, atypical accident that encompasses all the elements that accomplish festivals fun, transformational and affection warming. Acceptable accordance indeed.
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